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	<title>Comments on: Japan to extend posthumous copyright term to 70 years?</title>
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	<link>http://chosaq.net/archives/2006/07/japan-to-extend-posthumous-copyright-term-to-70-years.html</link>
	<description>A research blog tracking copyright related policy &#038; technology developments in Japan. By Andreas Bovens.</description>
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		<title>By: chosaq &#187; JASRAC &#38; co. link copyright management consolidation plans to term extension</title>
		<link>http://chosaq.net/archives/2006/07/japan-to-extend-posthumous-copyright-term-to-70-years.html/comment-page-1#comment-2667</link>
		<dc:creator>chosaq &#187; JASRAC &#38; co. link copyright management consolidation plans to term extension</dc:creator>
		<pubDate>Fri, 02 Feb 2007 09:32:47 +0000</pubDate>
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		<description>[...] 20 year extension of the current life+50y protection term of copyrighted works (previous coverage: 1, 2, 3). In September, the Daily Yomiuri reported that a committee of the Internal Affairs and [...]</description>
		<content:encoded><![CDATA[<p>[...] 20 year extension of the current life+50y protection term of copyrighted works (previous coverage: 1, 2, 3). In September, the Daily Yomiuri reported that a committee of the Internal Affairs and [...]</p>
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		<title>By: chosaq &#187; A dangerous deal: compulsory registration for broadcasts + longer protection</title>
		<link>http://chosaq.net/archives/2006/07/japan-to-extend-posthumous-copyright-term-to-70-years.html/comment-page-1#comment-409</link>
		<dc:creator>chosaq &#187; A dangerous deal: compulsory registration for broadcasts + longer protection</dc:creator>
		<pubDate>Mon, 04 Sep 2006 09:58:03 +0000</pubDate>
		<guid isPermaLink="false">http://chosaq.net/archives/2006/07/japan-to-extend-posthumous-copyright-term-to-70-years.html#comment-409</guid>
		<description>[...] I&#8217;m not sure what sparked the interest in changing the current system &#8212; one answer might be &#8220;YouTube,&#8221; which is very popular in Japan and shows the clear interest in quick-n-dirty online TV content (this in contrast to the relatively low interest in DTV, by the way). Another answer however is possible too: according to the same Yomiuri article, the committee in charge, &#8220;a panel tasked with studying how to develop universal Internet access in Japan,&#8221; also &#8220;proposes extending the period of copyright protection from the current 50 years after the death of rights&#8217; holders to 80 years.&#8221; Needless to say, there is probably some &#8220;balance&#8221; talk involved here &#8212; you can already hear the broadcasters say something along the lines of: &#8220;if you make registration compulsory, that&#8217;s fine, but then we want longer protection.&#8221; So, worst case scenario: the broadcasters register all their copyrights, refuse to license it to any web-based TV distributors, and Japan is stuck with a protection term of 80 years for all works (after first broadcast / after the author&#8217;s death / etc.). Also note that &#8220;80 years&#8221; is more than the &#8220;70 years&#8221; review previously called for. [...]</description>
		<content:encoded><![CDATA[<p>[...] I&#8217;m not sure what sparked the interest in changing the current system &#8212; one answer might be &#8220;YouTube,&#8221; which is very popular in Japan and shows the clear interest in quick-n-dirty online TV content (this in contrast to the relatively low interest in DTV, by the way). Another answer however is possible too: according to the same Yomiuri article, the committee in charge, &#8220;a panel tasked with studying how to develop universal Internet access in Japan,&#8221; also &#8220;proposes extending the period of copyright protection from the current 50 years after the death of rights&#8217; holders to 80 years.&#8221; Needless to say, there is probably some &#8220;balance&#8221; talk involved here &#8212; you can already hear the broadcasters say something along the lines of: &#8220;if you make registration compulsory, that&#8217;s fine, but then we want longer protection.&#8221; So, worst case scenario: the broadcasters register all their copyrights, refuse to license it to any web-based TV distributors, and Japan is stuck with a protection term of 80 years for all works (after first broadcast / after the author&#8217;s death / etc.). Also note that &#8220;80 years&#8221; is more than the &#8220;70 years&#8221; review previously called for. [...]</p>
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